TRUMP’S WHITE HOUSE BALLROOM IS NOT ABOUT VANITY, IT’S ABOUT AMERICAN GRANDEUR
The ladies on ABC's "The View" were apoplectic when they saw images of demolition, a fairly ordinary way to begin renovations, at 1600 Pennsylvania Avenue. They echoed one-time resident Hillary Clinton’s complaint that Trump doesn’t own the White House, even taking to song about it.
What makes this argument so absurd, is that Trump is not building this ballroom for his personal use or glory. It’s not a vanity project. It is a long-considered addition to an executive home that lacked the capacity to hold large indoor events.
Trump, as has always been his wont, is looking to create grandeur, and that seems to be something to which leftists reflexively object. The ballroom he is constructing will survive as a symbol of American power long after we are all gone. It will be, in a sense, our generation’s contribution to the people’s home.
Trump wants this venue, this symbol of America, to be grand and classically inspired, a timeless marble monument to a United States that emerged from the 20th century as the world’s only super power.

Mosab Hassan Yousef has seen how terrorist movements build from the inside, as he grew up the son of one of Hamas’s co-founders. Now he’s warning that jihadis are putting the same destructive game plan that turned Gaza into an Islamic terrorist cesspool into action in the United States.
Called “ultraconservative” by the liberal media, Japan’s new prime minister is its first woman ever in that position. But a Japanese feminist author told NBC News that Japan attaining its first female prime minister “doesn’t make me happy.”


Having choices is wonderful.





