THE MURDER AND SUICIDE OF OLD EUROPE
Mohammed B., the man accused of killing Dutch filmmaker Theo van Gogh in Amsterdam last week, was born and bred in the Netherlands. Known as a “relaxed, friendly and intelligent young man," a good student, a volunteer social worker, and a serious student of information technology, he came from a close family, and the death of his mother three years ago hit him very hard.
He began to devote more time to religious studies, and in the last year became increasingly fanatic. He abandoned his social work because he refused to serve alcohol, and because the foundation where he volunteered organized events where both sexes were present. He was on welfare when he killed van Gogh.
The Dutch — like every other Old European society I know — were unwilling to recognize that they had potentially lethal enemies within, and that it was necessary to impose the rules of civil behavior on everyone within their domain. The rules of political correctness made it impossible even to criticize the jihadists, never mind compel them to observe the rules of civil society. Just look at what happened the next day: An artist in Rotterdam improvised a wall fresco that consisted of an angel and the words "Thou Shalt Not Kill." The local imam protested, and local authorities removed the fresco.
That's what happens when a culture is relativized to the point of suicide.
