RISING ABOVE SENTIMENTALITY

On Tuesday (10/05), I gave a lecture for students at Magdalen College of the Liberal Arts in a course I believe is unique in the nation. It wasn’t so much an art history lecture as an American history lecture, using art—or rather a lecture about what Americans believed about themselves, for better and for worse, as manifest in works of art.
I’d like to discuss two of them here—two of them that are now inconceivable, not just because the practical necessities they show are no longer in play, but because the culture they describe, culture as a spiritual reality, embodying the high aspirations of the human soul, is gone. What has taken its place is another matter.
The two paintings are not sentimental, as almost all of our politics is now. By that I mean that our politics is less about thought or pragmatic planning than about feeling, and less about genuine universal human feeling than about its self-swindling substitute, sentimentality, a ginned-up mimic of feeling; and the louder you cry the sentiment up, the less genuine and the more shallow or delusive it is likely to be.












